![]() Hyde adapted by Jeffrey Hatcher, and Sherlock Holmes: The Final Adventure by Steven Dietz. Over eight seasons with ATC, she has provided dramaturgical expertise for many shows including the world premieres of Ten Chimneys by Jeffrey Hatcher, Somebody/Nobody by Jane Martin, Dr. Jenny Bazzell (Director - Chicago) is the Literary Manager of Arizona Theatre Company. ![]() Performances will be on July 27 - Jwith a $5 admission fee that supports ATC's Summer On Stage program.Ĭhicago is the vaudevillian song-and-dance fest that tells the story of Roxie Hart, the ordinary housewife turned femme fatale, whose moment in the spotlight burns bright for one second, before being given the hook for the next sacrificial lamb turned international celebrity. This summer's productions will be the Tony and Grammy Award-winning musical Chicago from the powerhouse team of John Kander, Fred Ebb and Bob Fosse and one of William Shakespeare's most beloved comedies, A Midsummer Night's Dream. We also wanted to celebrate the students in these programs, so we’re including videos of some of their performances and highlights.ARIZONA THEATRE COMPANY ANNOUNCES SUMMER ON STAGE PERFORMANCESįorty-four high school students to appear in Chicago and A Midsummer Night's Dreamįorty-four high school students from all over Tucson and beyond will be starring in two productions as part of the Summer On Stage program on Arizona Theatre Company's mainstage at the Temple of Music and Art. Thankfully, a number of colleges in this country offer outstanding and innovative dance programs for prospective students. With the amount of dance content on TV and streaming networks, job opportunity, casting changes and plus the popularization of more obscure styles of dance, there has never been a better time to get your degree in dance. We feel that college dance programs are at a crossroads right now. We must also preface this by saying that while these are some great schools to start your search with, ultimately the best college theatre program out there is the one you feel most confident and comfortable attending. So rather, this year we’re simply naming who we feel are the best, in no particular order. When looking at the scores, often these schools were separated by one to two points. This year we also decided not to rank the schools 1-30. So in addition to cold-calling the schools, we also took a look at their Clery Reports and asked questions about how proactive these schools are when it comes to safety. We feel this is a factor that is often not made a priority. We also asked questions about the diversity of students as well as the faculty.Įach year, we also like to include a new category that factor into our rankings - on/off-campus safety. Scholarships, Quality of Facilities, Performance/Production Opportunities, and Post-Graduate Support. This year we based our criteria on a number of factors including Cost vs. ![]() ![]() This is what we feel separates us from every other college ranking article, these folks know what’s important in theatre education. We wanted people who knew how to evaluate a performing arts program and what questions to ask. They consisted of theatre educators, students, alumni, and parents. Starting in April, we tasked a committee of just over 20 people to research these programs. For those of you wondering how we select these schools, it starts in the previous spring. At the beginning of each new school year, we here at OnStage Blog like to announce what we feel are the best performing arts for the coming year. ![]()
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